An eager audience filed into Medina Theatre last weekend, ready for the much-anticipated 2026 production from the Wight Strollers, ‘Robin Hood and the Babes in the Wood’. There’s a 2-4-1 draw for this theatre group – you know you’re in for a locally-grown (in all aspects) fun performance, and that every penny they make is reinvested back into the local community. If that alone isn’t a reason to snap up a ticket for the last two shows this weekend, then read on for some more persuasion.

Sarah Scotcher and Emily Scotcher are the triple-threats here – writing, directing and starring in the pantomime. Sarah, as Mighty Oak, was tree-riffic and the standout performance for this reviewer. She was hilarious in every aspect, delivering lines with perfect comic timing. The script itself was that of a traditional pantomime, stuffed with word-play, one liners, local references and plenty of audience participation. Add to that an eclectic mix of song choices, there really is something for everyone with this show.

Maisie Walker-Green and Noah Mansell were superb as Princess Eleanor and Prince Edmund. Alongside the vast chorus of children, their rendition of Revolting Children and the scenes in the classroom were brilliant. It’s great to know the future of this group is in safe hands with the next generation.

Patrick Barry made the perfect villain as the Sheriff of Nottingham, sneering and scowling his way through the show. His henchmen Willy and Billy, played ably by Andy Ball and Caitlin Adams, brought plenty of giggles and physical comedy throughout their scenes.

Maddison Hole gave an endearing performance as Maid Marian, with beautiful vocals. She was matched well by talented Charles Bonner as the dashing Robin Hood, who leads his band of merry men to save the day. And talking of those merry men – Rob Bingham, Rob Walker-Green, John Woodford, Myk Hooper and Andy Kay – the prison scene was side-splitting; Masterfully done.

Michael Mullin sashayed his way through his performance as Nanny Nina, with plenty of heart, hilarity and haute couture. The interaction with audience member Kai throughout the song Treat It was superb.

Ruth Anderson as the Forest Fairy led a stunning rendition of When You Believe, with the chorus showcasing some wonderful harmonies and choreography. 

Last but not least, Strollers stalwart David Kast played King Richard, helping to seal the deal on the happy ever after.

The musical numbers were well performed, with great staging and choreography. Everywhere you look on stage, there is something to see. Musical director Kim Ball, alongside her talented band, and choreographers Cheryl and Izzi Rudd must feel extremely pleased with the outcome of their hard work.

The costumes and scenery are always extremely high quality and this show was no exception. The stage crew made the set changes appear seamless. Whilst there were a few sound issues for the performance I saw, this didn’t deter the cast who handled it in their stride.

There are a few tickets still left for the last two shows – if you’re after 2 hours of entertainment whilst knowing you’re doing something good for charity, then go purchase a ticket before it’s too late!