As soon as we entered Trinity Theatre’s auditorium we felt as if we were already in the Wild Wood – there on stage was Toad Hall, and in front of the stage, Mr Toad himself, along with his friends, was selling programmes and raffle tickets!
As the show began we were quickly introduced toa whole host of fantastic characters portrayed by the cast of 21, some of whom played multiple roles which they successfully varied with the help of well designed costumes – a mention for Tracey Attrill, head of costumes here – and characterisation.
The responsibility for the pace and story was held however mainly by the four principals, each of whom captured the essence of their characters really well. Ruby Gilpin was a confident and wise Badger, the parent figure of the group – and Toad certainly needs someone like Badger! Maisie Holt’s Ratty was charming and lovable – I particularly loved her song with Mole ‘Messing About in Boats’ and her voice supported many of the other songs too. Millie Smith embodied Mole’s sweetness and innocence and her song ‘Home Sweet Home’ came across well.
Mr Toad’s fun-loving, boastful yet endearing character was brought to life wonderfully by Lillie Newson, who also contributed to the choreography. Lillie dominated the stage, whether singing, boasting or carrying off daring escapades… and landing in prison!
The story was also carried by a selection of narrators behind the scenes, along with supporting characters Ethel and Jeeves (Francesca McCourt and Daniel Thompson) while groups of actors portrayed the villains of the woods, the stoats and weasels, with aplomb. Others portrayed train drivers, prisoners, court officials, police officers and so on, using great acting, singing and dance skills to enhance this well known tale. Kudos to the director, Donna Louise, for guiding these young actors so well, and musical director Luke Mulhern for the great song arrangements and dance routines.
Mention must also be made of the set: while the background was designed to give an impression of the Wild Wood, with a curtain in the middle enabling Toad Hall to be presented from the exterior or interior as required, imagination had been used to show us the river using dancers, along with a boat which could be propelled by the occupant across the stage. Badger’s and Mole’s homes appeared on the thrust stage to the sides, while Toad’s obsessions with his Canary Yellow Gypsy Caravan and his car, along with his escape from prison on a train, were supported by very effective full size models made by producer Luke Mulhern and decorated by the members of Get On Stage.
It is the involvement of all the young members of this theatre group in all aspects of preparing for a show, from set construction through costume design to choreography which underpins Get On Stage’s success – that and the obvious enjoyment of every youngster on stage. Their enthusiasm was infectious – so much so that a very appreciative audience gave them a well deserved huge round of applause at the curtain call.
Well done to all those involved with Wind in the Willows – I’m now waiting for see what Get On Stage do next….
